The art-horror; horror writing Horror stories The nature of Horror, by Noel Carroll

Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

More Than Anything in the World (Directors: Andrés León Becker, Javier Solar)

More Than Anything in the World, Andrés León Becker, Javier Solar, Vampire films, Horror films, Vampire movies, Horror movies, blood movies, Dark movies, Scary movies, Ghost movies

Starring:
Elizabeth Cervantes
Juan Carlos Colombo
Julia Urbini



Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door.

Michael Vorsino: The Dragon, the Raven and the Ring

Journal of Dracula Studies 5 (2003)





[A TSD member, Michael Vorsino is completing his Masters degree in History (with thesis on Vlad Dracula) at the University of Texas at Arlington. A single father, he has two daughters – Samantha and Priscilla.]



Southeastern Europe has long been one of the world’s hotbeds of instability and strife. Owing in part to the rise of the Ottoman Empire in the fourteenth and fifteenth centuries with the simultaneous decline of the Byzantine Empire, this region was used as a marching ground for numerous armies. In Bram Stoker’s novel Dracula (1897), the Count refers to this instability when he tells Jonathan Harker: “In the region through which you came last night, there can be but little doubt; for it was the ground fought over for centuries by the Wallachian, the Saxon, and the Turk. Why, there is hardly a foot of soil in all this region that has not been enriched by the blood of men, patriots, or invaders” (27).
In the early to mid-fifteenth century, as the Ottoman tide reached its apex, freedom from the suzerainty of Ottoman dominion was a dream shared by many regional leaders. Relationships and partnerships were forged between these leaders, most of which were not entirely successful, but few are more dynamic than the triangle that was formed between Vlad Dracul, his son Vlad Dracula (better known by Romanian historians as Vlad Ţepeş) and John Hunyadi.
Since the fall of the Byzantine Empire in 1453, the countries in this part of Europe have been sandwiched between the dichotomous forces of the Christian west and the Muslim east. The fifteenth and sixteenth centuries were particularly difficult, as the expansion of the Ottoman tide swept across the continent. Striving to preserve the independence of their states, this region has not surprisingly produced some of the most incredible men of the time.  
John Hunyadi was a celebrated war hero, made legendary by his confrontations with the Ottoman Turks.  He was a man of immense power and wealth, often financing campaigns largely out of his personal funds. His ultimate desire was to see the Ottomans expelled from Europe forever. His political and military machinations reached into surrounding countries, including Wallachia, where he set up and deposed some of its leaders (based on their perceived loyalty to the Christian cause), including Vlad Dracul, and his son Vlad Ţepeş (henceforth in this essay referred to as Dracula). Dracula was driven by a passionate hatred of all that would disrupt Wallachian independence, especially the Turks. This enmity was fueled in part by a period of Turkish captivity during which he had endured tortures of several kinds, including frequent use of the lash by his Turkish tutors. When Vlad Dracula became voivode of Wallachia, he became widely known for his liberal use of impalement as a form of punishment, hence his nickname “the Impaler.” This torturous method of execution was used with great effectiveness as a means of psychological warfare in his brutal battles with the forces of Mehmed  “the Conqueror,” who was one of the most powerful sultans of the Ottoman Empire. Because of his opposition to the Ottomans, Vlad Dracula is seen by many as the father of Romanian sovereignty.