The art-horror; horror writing Horror stories The nature of Horror, by Noel Carroll

Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

The Vampire Sisters (director: Wolfgang Groos)

The Vampire Sisters, Wolfgang Groos, Vampire films, Horror films, Vampire movies, Horror movies, blood movies, Dark movies, Scary movies, Ghost movies


Twelve-year-old Daka and Silvania are half-vampires – their mother is human and their father is a vampire. After growing up in a subterranean vampire city in Transylvania, their mother insists they try life above ground amongst other humans.So Daka and Silvania have to hide their true identities



Charles Baudelaire

Emile Deroy, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems

The Ghost

Like angels with wild beast's eyes
I shall return to your bedroom
And silently glide toward you
With the shadows of the night;

And, dark beauty, I shall give you
Kisses cold as the moon
And the caresses of a snake
That crawls around a grave.

When the livid morning comes,
You'll find my place empty,
And it will be cold there till night.

I wish to hold sway over
Your life and youth by fear,
As others do by tenderness.

Lejla Panjeta: Monster as a Superhero: an Essay on Vampire Vogue in Contemporary Film Culture

Studii si Cercetari de Istoria Artei. Teatru, Muzica, Cinematogr;2011/2012, Vol. 5-6 Issue 49-50


* Lejla Panjeta, Ph.D., is an Associate Professor at the International University of Sarajevo, Faculty of Arts and Social
Sciences, Visual Arts and Communication Design. E-mail address: panjeta.lejla@bih.net.ba. 

Abstract
The worldwide popular series Twilight is the mixed genre phenomenon in literature, media and
cinema. After monstrous cinema interpretations of vampires, Edward Cullen becomes a vampire that
women fall in love with. Narrative draws on the legend of vampires as well as on the fairy tales
archetype of the love between The Lady and the Beast. Sexual connotation in the stories of vampires
are not new, but the global identification of the audience with the main characters in the romantic-
horror plot in this series needs to be analyzed through the evolution of the vampire genre and
psychology related issues. The popularity of this series and blossoming hybrid genre is related to the
artificial catharsis and fulfillment of the market demand. Contemporary audience demands “to be
special” and these profitable narratives are the fulfilled promise to the audience.
Keywords: vampire legends, teen vampire genre, abstinence narrative, vampires in cinema, catharsis.


INTRODUCTION: ROMANTIC MONSTER OXYMORON

“And so the lion fell in love with a lamb… What a stupid lamb… What a sick, masochistic lion”.1 One
of the omens from the Book of Revelation that the world as we know it will come to an end is described when
the lamb lies down with the lion. The story of Twilight categorized as teen vampire romance genre is the
apocalypse of opposite genres: romance and horror. The horror genre as we know it and the romance genre
have reached the point where their elements need to be combined together in order to survive the market
demand of a consuming audience that desires more catharsis induced by adrenalin and romance ecstasy.2
Judging on the gained profit, this planetary popular series is a phenomenon of the 21st century. Over
17 million copies of Twilight Saga have been sold and translated into 37 languages. A graphic novel has
been issued, and the first three books of the series have been made into movies. According to the box office
reports from the American and international market, the movie Twilight3 made approximately 400 million
dollars,4 New Moon5 over 700 million dollars,6 Eclipse7 700 million dollars,8 and Breaking Dawn I 9 over
700 million dollars.10

1 Stephenie Meyer, Twilight, Vol. 1, London: Atom, 2006, p. 240.
2 On this matter, see also Lejla Panjeta, “Popularni kinematografski vampirizam”, Hrvatski filmski ljetopis, No. 69, 2012.
3 Director: Catherine Hardwicke. Release year: 2008.
4 See “Box Office Mojo: Twilight”, http://www.boxofficemojo.com/movies/?id=twilight08.htm; last consulted in December 2011.
5 Director: Chris Weitz. Release year: 2009.
6 See “Box Office Mojo: New Moon”, at <http://www.boxofficemojo.com/movies/?id=newmoon.htm>; last consulted in
December 2011.
7 Director: David Slade. Release year: 2010.
8 See “Box Office Mojo: Eclipse”, at <http://www.boxofficemojo.com/movies/?id=eclipse.htm>; last consulted in December 2011.
9 Director: Bill Condon. Release year: 2011.
10 See “Box Office Mojo: Breaking Dawn I”, at <http://boxofficemojo.com/movies/?id=breakingdawn.htm>; last consulted
in December 2011.