The art-horror; horror writing Horror stories The nature of Horror, by Noel Carroll

Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

Daði Halldórsson: Vampires Now and Then From origins to Twilight and True Blood



This essay follows the vampires from their origins to their modern selves and their extreme popularity throughout the years. The essay raises the question of why vampires are so popular and what it is that draws us to them. It will explore the beginning of the vampire lore, how they were originally just cautionary tales told by the government to the villagers to scare them into a behaviour that was acceptable. In the first chapter the mythology surrounding the early vampire lore will be discussed and before moving on in the second chapter to the cult that has formed around the mythological and literary identities of these creatures. The essay finishes off with a discussion on the most recent popular vampire related films Twilight and New Moon and TV-series True Blood and their male vampire heroes Edward Cullen and Bill Compton. The essay relies heavily on The Encyclopedia of Vampires, Werewolves, and other Monsters written by Rosemary Ellen Guiley as well as The Dead Travel Fast: Stalking Vampires from Nosferatu to Count Chocula written by Eric Nuzum as well as the films Twilight directed by Catherine Hardwicke and New Moon directed by Chris Weitz and TV-series True Blood. Eric Nuzum's research on the popularity of vampires inspired the writing of this essay. As well as these two books the research of the paper was mostly done on the internet because of the expansion of web pages and internet users it has become a valuable part in helping people to find their inner vampire and connect with others with the same vampire interest.


Index
Introduction ......................................................................................................................................... 2
What are vampires? ............................................................................................................................ 2
Vampire Cult ......................................................................................................................................... 6
Vampires in modern media ................................................................................................................ 13
Twilight ................................................................................................................................................ 13
True Blood ........................................................................................................................................... 21
Conclusion ........................................................................................................................................... 24
Works Cited ......................................................................................................................................... 26
Internet Research ................................................................................................................................ 26


Introduction
Vampires, real or not real, have been around for hundreds of years and have been gaining more popularity throughout recent years in their various forms. The vampire lore has grown immensely from their mythological beginnings to something that people believe might exist in today's world. With the help of Bram Stoker, Anne Rice, Joss Whedon and Stephanie Meyer the vampires have continued to be popular throughout the years. It seems that what was once feared has now become something that people seek out, whether it is to entertain oneself, through some kind of media; books, films, television shows etc., or to find somewhere to belong. In the 20th and 21st century it seems like vampires are a big part of our imagination and in fact, as will be detailed later on, a big part of some people's lives. It is this extreme interest in vampires that inspired the writing of this paper.
There are those that strive to be like vampires, those that dress in a certain fashion and those that believe themselves to be actual vampires, for better or for worse. There are many questions that need to be raised as to what makes people think that they are vampires. Why do people feel the need to seek out these vampires? What is it about vampires that make them so appealing? This particular paper will most likely never find its answer to what it is about vampires and the vampire legend that cultivates us and keeps us wanting to know more but hopefully bring us closer.
Again and again the vampire lore and vampire related content surfaces and human kind does not seem to be able to resist it. Most recent are the books and films surrounding the Twilight Saga along with the popular TV-series True Blood which will be discussed later in the text. Before being able to understand what it is about vampires that makes the human race so enthralled with them it needs to be established what exactly are vampires? Are they real or are they purely figments of our imagination?

What are vampires?
There are many different types of vampires known in the world. There are folkloric vampires, living vampires, literary vampires, psychic vampires and psychotic vampires to name a few examples. Psychotic vampires are those who are unable to function in the normal community mostly due to the fact that they mutilate, kill and drink the blood of others around them. The psychic vampires are those who drain the life force or life energy of others, either willingly or unwittingly. This can be achieved through magic or just ill content towards another person. Those who are considered psychic vampires are, in the broadest sense, anyone who drains the energy from another by whatever act. They can also be in the form of people that constantly need help or ask others to do their work for them. Literary vampires are those created through fiction such as Count Dracula, Lestat De Lioncourt, Blade, Edward Cullen and so many others. In modern times living vampires are people who believe that they are real life vampires, based on what is most commonly known about vampires through popular vampire mythology or fiction. To supposedly become a vampire most often people have to go through some sort of gruesome bloody ritual involving the blood of those who they believe to be vampires. The living vampires were those who had supernatural powers and fed on human blood, such as witches and warlocks. These living vampires would become vampires in their death. The folkloric vampires are almost all beings with supernatural powers. They include demons, revenants and those who would return from their grave after dying from the plague, drowning, being killed by another vampire, from possession or from any unnatural causes. These are the most common vampires and are only seen at night, around midnight. They must always return to their grave before dawn (Guiley 289-290). 

Rachel Klein: The Moth Diaries

Rachel Klein, The Moth Diaries, Vampire novels, Vampire books, Vampire Narrative, Gothic fiction, Gothic novels, Dark fiction, Dark novels, Horror fiction, Horror novels


At an exclusive girls' boarding school, a sixteen-year-old girl records her most intimate thoughts in a diary. The object of her obsession is her room-mate, Lucy Blake, and Lucy's friendship with Emessa, their new and disturbing classmate. Ernessa is a mysterious presence with pale skin and hypnotic eyes. Around her swirl dark secrets and a series of ominous disasters. As fear spreads through the school, fantasy and reality mingle into a waking nightmare of gothic menace, fuelled by the lusts and fears of adolescence. Is Ernessa really a vampire? Or is the narrator trapped in her own fevered imagination?

Vampegeddon (Director: Jeffrey Alan Miller)

Vampegeddon, Jeffrey Alan Miller, Vampire films, Horror films, Vampire movies, Horror movies, blood movies, Dark movies, Scary movies, Ghost movies

Starring
Michael Alvarez
Richard Anderson
Josh Bingenheimer



Chased out of the old world, the dark vampire lord Giovanni flees to the American southwest where he sets up a new brood. Longshank, Brittan's premier vampire slayer follows him here, and in a final confrontation in the Arizona desert both are killed. A hundred years later Melissa, a gorgeous, goth, lesbian college student, is obsessed with becoming a vampire and escaping her terrible home life. Along with her four friends, Ted, Liz, Mona, and Kent, she regularly conducts ceremonies where she tries to commune with dark forces...

Luigi Capuana: A Vampire

Vampire attack, Vampire stories, Vampire tales, Tales of mystery, Horror stories, Scary stories, Scary Tales, Short stories, Anthology of horror, Anthology of mystery


“It is no laughing matter!” said Lelio Giorgi.
“Why shouldn’t I laugh?” replied Mongeri. “I don’t believe in ghosts.”
“Neither did I, once. .. and I’d still rather not,” went on Giorgi. “That’s why I’ve come to see you. You might be able to explain whatever it is that’s making my life a misery and wrecking my marriage.”
“Whatever it is? You mean whatever you imagine it is. You’re not well. It’s true that a hallucination is itself a fact, but what it represents has no reality outside yourself. Or, to put it better, it’s the externalization of a sensation, a sort of projection of yourself, so that the eye sees what it in fact does not see, and the ear hears sounds that were never made. Previous impressions, often stored up unconsciously, project themselves rather like events in dreams. We still don’t know how or why. We dream, and that’s the right word, with our eyes wide open. But one has to distinguish between split-second hallucinations which don’t necessarily indicate any organic or psychic disturbance, and those of a more persistent nature. . . But of course that’s not the case with you.”
“But it is, with me and my wife.”
“You don’t understand. What we scientists call persistent hallucinations are those experienced
by the insane. I don’t have to give you an example. . . . The fact that you both suffer the same
hallucinations is just a case of simple induction. You probably must have influenced your wife’s
nervous system.”
“No. She was the first.”
“Then you mean that your nervous system, haing a greater receptivity, was the one to be influenced. And don’t turn up your poetical nose at what you please to call my scientific jargon.
It has its uses.”
“If you would just let me get a word in edgeways. . . .”
“Some things are best let well alone. Do you want a scientific explanation? Well, the answer is that for the moment you wouldn’t get anything of the sort. We are in the realm of hypotheses. One to
day, a different one tomorrow, and a different one the day after. You are a curious lot, you artists! When you feel like it you make fun of Science, you undervalue the whole business of experiment, research and hypothesis that makes it progress; then when a case comes long that interests you personally you want a clear, precise and categorical answer. And there are scientists who play the game, out of conviction or vanity. But I’m not one of them. You want the plain truth? Science is the greatest proof of our own ignorance. To calm you down I can talk of hallucinations, of induction, receptivity. Words! Words! the more I study the more I despair of ever knowing anything for certain. It seems to happen on purpose, no sooner do scientists get a kick out of some new law they’ve discovered than along comes some new fact, some discovery, that upsets the lot. You need to take it easy, just let life flow by; what’s happened to you and your wife has happened to so many others. It will pass. Why must you try and find out how and why it happened? Are you scared of dreams?”
“If you’d just let me tell you. . . .”
“Go on then, tell me, if you want to get it off your chest. But I warn you, it can only make matters worse. The only way to get over it, is to busy yourself with other things, get away from it. Find a new devil to drive out the old—it’s a good saying.”
“We did all that. It wasn’t any good. The first signs. . . the first manifestations, happened in the country, in our villa at Foscolara. We ran away from it, but the very night that we came back to town. . .”