Kimberly L. Craft, The Private Letters of Countess Erzsébet Báthory

Over 40 letters and documents, many of which have been recently discovered and translated, are presented here for the first time in English. The private letters Lady Báthory sent in secret to fellow nobility, historical background as well as biographical material.

Kimberly L. Craft, Infamous Lady: The True Story of Countess Erzsébet Báthory

This biography explores the life of the 16th-century "Blood Countess" of Hungary, Erzsébet Báthory. Reputed to be both a vampire and the world's worst female serial killer, she allegedly bathed in the blood of her 650 victims. Based on newly-found source material, translated into English for the first time, this book explores the actual life and trial of Countess Báthory, through letters, documents, and trial transcripts.

Valentine Penrose, The Bloody Countess: The Atrocities of Erzsebet Bathory

The true story of a 17th century Hungarian Countess who bathed in the blood of girls... Descended from one of the most ancient aristocratic families of Europe, Erzsébet Báthory bore the psychotic aberrations of centuries of intermarriage. From adolescence she indulged in sadistic lesbian fantasies, where only the spilling of a woman's blood could satisfy her urges. By middle age, she had regressed to a mirror-fixated state of pathalogical necro-sadism involving witchcraft, torture, blood-drinking, cannibalism and, inevitably wholescale slaughter. These years witnessed a reign of cruelty, unsurpassed in the annals of mass' murder, with the Countess' depredations on the virgin girls of the Carpathians leading to some 650 deaths. Her many castles were equipped with chambers where she would hideously torture and mutilate her victims, becoming a murder factory where hundreds of girls were killed and processed for the ultimate, youth-giving ritual: the bath of blood. The Bloody Countess is Valentine Penrose's disturbing case history of a female psychopath, a chillingly lyrical account beautifully translated by Alexander Trocchi, which has an unequalled power to evoke the decadent melancholy of doomed, delinquent aristocracy in a dark age of superstition.

ARMINIUS VAMBÉRY

Arminius Vámbéry (Mihály Kovács, 1861)

Arminius Vambéry, Hungarian historian and possible model for Dr. Abraham Van Helsing in Bram Stoker's novel Dracula was born lame at Szerdakely, near Pressburg, in Hungary As a young man he took up the study of languages and by his 16th year, largely through his own efforts, was fluent in most European languages, including Latin and Greek. At the age of 22 he was able to travel to Constantinople and for the first time practiced the languages he had learned. In 1858 he published his first book, a German-Turkish dictionary, the only one of its kind available for many years. He also began to translate Turkish histories that related events in Hungary, for which he earned a position as a corresponding member of the Hungarian Academy in 1861. With a grant from the Academy, he then traveled widely through the Middle East for several years. In 1864 he moved to England, where he was welcomed as an explorer-traveler and given support while he wrote his book, Travels in Central Asia, which was quickly translated into French, German, and Hungarian. He afterward settled in Hungary as a professor of Oriental languages at the University of Pesth.

For the next two decades he was one of the most prolific and famous Hungarian scholars and men of letters. His correspondence kept him in touch with most of the power centers of Europe, and he commented freely on the political questions of his day. In 1883 he wrote the autobiographical Arminius Vambéry: His Life and Travels. Soon after its appearance he encountered a wave of anti-Semitism in Hungary and felt forced to relocate to England. There he continued to write and lecture. He wrote one of his most popular books, a large volume titled Hungary in Ancient, Medieval, and Modern Times (1886), which was reprinted several times under various titles. This volume would have been one of the books available to Stoker for research on the first chapters of Dracula.

Vambéry actually met Bram Stoker, possibly for the first time, in 1890 during the early stages of the writing of Dracula. He was on Stoker's guest list one evening at the Beefsteak Room, where people gathered after an evening at the Lyceum Theatre. In conversation and through his books on Hungary, Vambéry possibly influenced Stoker, though the extent is a matter of debate among Dracula scholars. Raymond T. McNally and Radu Florescu credit Vambéry with turning Stoker from his prior interest in Austria (reflected in his short story "Dracula's Guest") toward Transylvania the setting of the opening and closing chapters of Dracula. Unfortunately, no correspondence between Stoker and Vambéry has survived, though Stoker mentions their meeting in his Personal Reminiscences of Henry Irving.

Elizabeth Miller , who has emerged in the 1990s as one of the foremost scholars of the text, has assumed the most skeptical position and suggested that the tie between Vambéry anf the text of Dracula is a remnant of scholarly speculation from the period before the discovery of Stoker's working papers at the Rosenbach Museum.

However, while Miller notes, "There is no documented evidence that Vambéry gave Stoker any information about Vlad Tepes or vampires," and there is no mention of Vlad the Impaler in any of Vambéry's books, there is cause to believe that Vambéry may have been one of the people from whom Stoker developed his character Abraham Van Helsing. Stoker acknowledges in the novel a debt to Vambéry with a passing mention of him placed in the mouth of Van Helsing: I have asked my friend Arminius, of Buda-Pesth University, to make his record; and, from all the means that are, he (Vambéry) tells me of what he (Dracula) has been. He must, indeed, have been that Viovode Dracula who won his name against the Turk ...