The art-horror; horror writing Horror stories The nature of Horror, by Noel Carroll

Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

Blood: The last vampire (Director: Hiroyuki Kitakubo)

Hiroyuki Kitakubo, Blood, Vampire films, Horror films, Vampire movies, Horror movies, blood movies, Dark movies, Scary movies, Ghost movies





At the Yokota Air Force base in Japan, a nervous American military is on the brink of the Vietnam War. But a greater threat exists within the walls of the heavily guarded compound: Vampires. A team of top-secret undercover agents dispatches a mysterious young woman to destroy them…she is the last remaining original.

Christopher John Brennan: The shadow of Lilith

Christopher John Brennan, Lilith, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems, Australian poetry, Australian poems


The tuberose thickens the air: a swoon
lies close on open’d calyx and slipt sheath
thro’ all the garden bosom-bound beneath
dense night that hangs, her own perturbing moon:
no star: and heaven and earth, seeking their boon,
meet in this troubled blood whereunder seethe
cravings of darkling bliss whose fumes enwreathe
some rose of rare-reveal’d delight: oh, soon! —
Ay, surely near — the hour consents to bless! —
and nearer yet, all ways of night converge
in that delicious dark between her breasts
whom night and bloom and wayward blood confess,
where all the world’s desire is wild to merge
its multitude of single suffering nests.

Cloth’d now with dark alone, O rose and balm,
whence unto world-sear’d youth is healing boon,
what lures the tense dark round thy pulsing calm?
Or does that flood-tide of luxurious noon,
richly distill’d for thy sweet nutriment,
now traitor, hearken to some secret moon.
Eve’s wifely guise, her dower that Eden lent,
now limbeck where the enamour’d alchemist
invokes the rarer rose, phantom descent;
thy dewy essence where the suns persist
is alter’d by occult yet natural rite:
among thy leaves it was the night we kiss’d.
Rare ooze of odour drowns our faint delight,
some spilth of love that languishes unshared,
a rose that bleeds unseen, the heart of night;
whose sweetness holds us, wondering, ensnared:
for cunning she, the outcast, to entice
to wake with her, remembering how she fared
in times before our time, when Paradise
shone once, the dew-gem in her heart, and base
betrayal gave her to the malefice
that all thro’ time afflicts her lonely face,
and all the mournful widowhood of night
closed round her, and the wilderness of space:
O bleeding rose, alone! O heart of night!

This is of Lilith, by her Hebrew name
Lady of Night: she, in the delicate frame
that was of woman after, did unite
herself with Adam in unblest delight;
who, uncapacious of that dreadful love,
begat on her not majesty, as Jove,
but the worm-brood of terrors unconfest
that chose henceforth, as their avoided nest,
the mire-fed writhen thicket of the mind.
She, monsterward from that embrace declined,
could change her to Chimera and inspire
doubt of his garden-state, exciting higher
the arrowy impulse to dim descried
o’erhuman bliss, as after, on the wide
way of his travail, with enticing strain
and hint of nameless things reveal’d, a bane
haunted, the fabled siren, and was seen
later as Lamia and Melusine,
and whatsoe’er of serpent-wives is feign’d,
or malice of the vampire-witch that drain’d
fresh blood of fresh-born babes, a wicked blast:
faces of fear, beheld along the past
and in the folk’s scant fireside lore misread,
of her that is the august and only dread,
close-dwelling, in the house of birth and death,
and closer, in the secrets of our breath –
or love occult, whose smile eludes our sight
in her flung hair that is the starry night.

Metamorphosis (Director: Jeno Hodi)

Metamorphosis


Starring
Corey Sevier
Irena A. Hoffman
Christopher Lambert
Charlie Hollway
Jennifer Higham




While researching the legend of the Blood Countess, in the wilds of the Carpathian Mountains, three young Americans pick up an attractive stranger who will take them on the journey of their lives. From a mountain fortress, they must outwit and elude the Vampire and supernatural forces closing in on them.

Sólveig Geirsdóttir: Night Academy Heroines, Hunters and Strange Vampires




Abstract
It was within the Gothic genre that the literary vampire derived. The literary vampire has
gained new popularity in the last decade with a new formula focusing on sympathetic
vampires. This essay examines four contemporary vampire literary series that have all
included a special vampire school. The four series analyzed in this essay are House of Night
by P.C. and Kristin Cast, Strange Angels by Lili St. Crow, Vampire Academy by Richelle
Mead and Vamps by Nancy A. Collins. The essay determines the school‘s purpose in the
vampires lives and how it affects the protagonists who are all females inflicted with some
kind of vampirism. The first chapter introduces the thesis and material used in the essay. The
second chapter outlines the archtypical vampire focusing on the novel Dracula (1897) and
summarizes the traditional qualities characterising the literary vampire. The third chapter
focuses on describing the heroines and analyzing their behavior and motivation in regards to
their situation at a school filled with other vampires. The fourth chapter goes over the
difference in each series school syllabus and system, and analyzes the purpose of the schools.
The series are analysed in regards to Gothic literature and its heritage. The essay relies mostly
on Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions by
Fred Botting and The Cambridge Companion to Gothic Fiction edited by Jerrold Hogle for
the analysis, as well as other texts on formula and semantics, contemporary vampire novels
and female heroines.

Table of Contents
1 Introduction.................................................................................................................................. 2
2 Vampire Tradition....................................................................................................................... 4
3 Heroines........................................................................................................................................ 5
3.1 Rose Hathaway..................................................................................................................... 6
3.2 Cally Monture....................................................................................................................... 7
3.3 Dru Anderson ....................................................................................................................... 7
3.4 Zoey Redbird........................................................................................................................ 8
3.5 Analysis................................................................................................................................. 9
4 Vampire 101............................................................................................................................... 11
4.1 House of Night................................................................................................................... 12
4.2 Schola Prima....................................................................................................................... 13
4.3 Bathory Academy.............................................................................................................. 14
4.4 Vampire Academy............................................................................................................. 14
4.5 Analysis............................................................................................................................... 16
5 Conclusion.................................................................................................................................. 18
Bibliography.................................................................................................................................... 20

1 Introduction
It was within the Gothic genre that the literary vampire derived. The Gothic novel emerged
near the end of the 18th century and was the horror literature of its time. Gothic literature
explores the forbidden desires and fears of its readers, involving supernatural mysteries. The
legend of the vampire has been written about and filmed for decades. The literary vampire
was a sophisticated and terrifying monster embodied most famously in Dracula (1897) by
Bram Stoker. In recent years the legend has gained immense popularity with highly
romanticized vampire novels aimed to entertain teenagers and young adults. The most popular
new formula focuses on the forbidden love between a human and a vampire. In this new
formula the vampire has become the hero instead of the villain. In the last decade a vast
amount of contemporary vampire novels have been published and writing about them all
would be impossible. In this essay I have chosen 4 series of novels in which the protagonist
vampires, all female, go to a special vampire school. I will attempt to determine the schools
purpose in the vampire’s lives and how it affects the heroines.
In 1997 two very different types of entertainment became extremely popular. This was
the year when the pilot of Buffy the Vampire Slayer first aired and the first novel about the
young wizard Harry Potter was published. Buffy presented a new type of vampire hunter; a
hardcore female babe struggling with normal high school while also destined to slay
vampires. The Harry Potter series presented a hidden world where witches and wizards lived
amongst humans and their children attended a large castle like magic school. The immense
popularity of both entertainments produced many similar novels, TV shows and movies
including the four series presented in this essay. I will discuss the similarities further but the
most obvious relation between them is that the protagonists are students at a high school or a
special school.
The four series I have chosen are: House of Night by P.C. and Kristin Cast, Strange
Angels by Lili St. Crow, Vampire Academy by Richelle Mead and Vamps by Nancy A.
Collins. All series feature protagonists inflicted with vampirism, and are aimed to entertain
young adult and teen readers.