The art-horror; horror writing Horror stories The nature of Horror, by Noel Carroll
Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.
Jean Marigny: Secrecy as Strategy in Dracula
Journal of Dracula Studies 2 (2000)
[Jean Marigny, a
TSD member in France, is affiliated with Université Stendhal in Grenoble. This
article is based on a paper he gave at the Second World Dracula Congress in
Romania in May 2000.]
The words “secret”
and “secrecy” come from the Latin form secretum, itself derived from the
verb secernere which means “to separate”, “to distinguish”, “to leave
out” and even “to eliminate.” Secret and secrecy play an important part in Dracula
and it is obvious that many facts in the plot of the novel are never clearly
elucidated and are often willingly left out. The reader feels as if an
important part of the truth was concealed from him and whenever an explanation
is given, it seems to come too late. Like detective novel writers, who let
their readers devise their own hypotheses for the sake of suspense, and wait
until the end to disclose the truth, Bram Stoker keeps useful information for himself.
It is not known until the middle of the story, for instance, that we are openly
told that Count Dracula is a vampire. Stoker’s narrative strategy is based on
secrecy, not only in the way the story is told, but in the plot itself, since
the protagonists often keep secrets from each other.
For
the modern reader who knows even before reading the novel what Dracula is, and
who knows the plot, either by hearsay or from the movies, it is obvious that
there is no real secret. We must keep in mind, however, that for Stoker’s
contemporaries it was quite different. They did not know what the novel was
about and they enjoyed its atmosphere of mystery and suspense.
It
appears that the narrative framework of Dracula is meant to confuse and
puzzle the reader. In keeping with the tradition of Gothic masterpieces like The
Monk by Lewis, Stoker makes use of many different narrative voices. Dracula
is in fact a patchwork of texts including diaries, journals, letters,
telegrams, reports, etc. Very often the information contained in these
documents seems to have no link whatsoever with the main plot. Such facts as
the tragic events on board the Demeter, the escape of the wolf Bersicker
from London Zoo and Renfield’s medical case seem to have little to do with
Harker’s experience in Transylvania. The reader, who has no explanation, is
non-plussed. Moreover, unlike most earlier Gothic novels, in Dracula
there is no omniscient narrator to help us understand what is happening. The
reader has to find the truth by himself. Thus we can say that Stoker’s novel is
quite modern (and perhaps even postmodern). Undoubtedly many contemporary
writers of horror fiction, like Stephen King and Peter Straub, are much
indebted to him.
The Insatiable (Director: Chuck Konzelman - Cary Solomon)
Starring:
Sean Patrick Flanery
Michael Biehn,
Charlotte Ayanna
A drab, run-of-the-mill guy witnesses a vampiress devour a bum and becomes so infatuated with her, he tracks her down and traps her in a basement so she can't kill again.
J. R. Bailey : Impure: Resurrection
Koristad Altessor, son of Arach the Black Guardian, is a young, driven necromancer who wants nothing more than to take vengeance upon the villainous vampire who caused the death of his family. But it is not long before the child of darkness is recruited by an order of righteous warriors who are dedicated to protecting the innocent from wicked magic users and unspeakable monsters. Koristad and the lightwielders are about to begin an unforgettable journey to the truth.
Koristad sets out to carve a path through the darkness of his bleak world. Ac-companied by Peril, a naïve and innocent lightwielder, Koristad rises to face the challenges that lie ahead—including a fierce battle with a barbarian intent on seeking his own revenge. Unable to call upon his magic powers out of fear of being pulled back into the world of the dead, Koristad must rely on his own strength as he realizes there will never again be one like him.
After the necromancer and lightwielder are tasked with protecting an ancient artifact, a long extinct bloodline of mages reemerges. Suddenly, Koristad and Peril are fighting for more than they ever imagined, including their own survival.
Crimson Winter ( Director: Bryan Ferriter )
Starring:
Bryan Ferriter
Nick Milodragovich
Kailey Michael Portsmouth
A vampire prince is cast out by his family for embracing the love of a human. Years later, he must revisit his dark past to determine the fate of a group of researchers who have discovered his hidden asylum.
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