The art-horror; horror writing Horror stories The nature of Horror, by Noel Carroll

Abraham "Bram" Stoker (November 8, 1847 – April 20, 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.
Showing posts with label Poems. Show all posts
Showing posts with label Poems. Show all posts

Dante Gabriel Rossetti: Lilith

Dante Gabriel Rossetti, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems



OF Adam's first wife, Lilith, it is told
... (The witch he loved before the gift of Eve,)
... That, ere the snake's, her sweet tongue could deceive,
And her enchanted hair was the first gold.
And still she sits, young while the earth is old,
... And, subtly of herself contemplative,
... Draws men to watch the bright net she can weave,
Till heart and body and life are in its hold.

The rose and poppy are her flowers; for where
... Is he not found, O Lilith, whom shed scent
And soft-shed kisses and soft sleep shall snare?
... Lo! as that youth's eyes burned at thine, so went
... Thy spell through him, and left his straight neck bent,
And round his heart one strangling golden hair.

Aleister Crowley: Lilith

Aleister Crowley, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


The stench of the gross goat is in my nostrils instead of
the perfume of Artemis.
I plucked the Virgin by his broidered chlamys....who
could have guessed that hairry horror hidden ?
I have got gall to be my drink, who mingled my wine
with myrrh and musk and ambergris.
I made my bed of silk and and furs; and waking I found I had
swooned to sleep upon the midden.
Ah! Were those virgin lips of thine polluted with some
rank savour of Sabbatic lust ?
What spell turned thee, the maiden, to a monkey jibbering
antiphonal blasphemies
To those chaste chants I woed thee by, the moment that
touching thee, my fruit dissolved to dust,
Fair-seeming Sodom-apple ! Yet thy kisses smote all my
spine to shuddering ecstasies !
So strode the fool upon the mountain ridges, crying; One
step, and I attain the crest !
Lo! The loose cornice tricks him, and he tumbles, a
mangled nothing, to the glacier.
So the nun cries: One effort and I conquer; I pass the
gate, I win the appointed rest !
And passing it discovers the foul body of Sin that waits to
set his teeth in her.
So in my dreams, escaping from a monster, I turn one
corder; "there is refuge - there!"
Nay, there he lurked who never had pursued me....'twas
I who chased him to his proper holt.
Then, O thou vile adorable, my lover, my master, catch me
backward by the hair !
Fasten thy fangs upon my mouth's gasped anguish, and
split my dream-clouds with thy thunderbolt !
Though thou be God or Satan, do thaou master my death-
pand with thy life-pang, and possess
All that I am with all thou art, my Vampire, my Siren
that I thought a nightingale !
Abase me! Spit upon me! Scourge me! Murder me !
Take thy wolf's meal of my loveliness !
Give me the reek of thy foul breath, and show me the
leper's face behind the shining veil !
Yae! Though I sink through measureless abysses, I trace
the incommensurable curve.
Thy foursqure wedge that rages in my circle shall match
it at the infinite period.
Polluted body, violated spirit, corrupted soul, stunned brain
and tortured nerve:-
These merge into thy bloody maw, Echidna, that shall
emerge the lone white flame of God.

Melissa Hardie: Succubus Rising

Melissa Hardie: Succubus Rising, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


Succubus Rising

Sombre, pensive, disquietude
Disconnected, subtle, lewd
All emotions rolling 'round
Shattered glass on holy ground

Silver lining made of stone
Face of darkness set alone
Wings of sulphur, ashen down
Butterflies stitched in her gown

Queen of sacrilegious lies
Blood and fire stain black eyes
Lips like poison, dripping lust
Serpent tongue that whispers trust

Silken skin of granite gray
Sparkles stone when in the day
Prehensile tail and wicked strength
Ebony hair of staggered length

Sexy woman of the night
Seeking prey and seeking fight
Lay you down on holy stone
Death by sex though not alone

When her eyes light on your skin
Flames of lust lick up and in
Against her charms you've not a chance
So open wide and join her dance

Neil Gaiman: Vampire Sestina

Neil Gaiman, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


I wait here at the boundaries of dream, all shadow-wrapped. The dark air tastes of night, so cold and crisp, and I wait for my love.

The moon has bleached the colour from her stone.

She'll come, and then we'll stalk this petty world alive to darkness and the tang of blood.

It is a lonely game, the quest for blood, but still, a body's got the right to dream
and I'd not give it up for all the world. The moon has leeched the darkness from the night. I stand in shadows, staring at her stone: Undead, my lover… O, undead my love?

I dreamt you while I slept today and love meant more to me than life—meant more than blood!

The sunlight sought me, deep beneath my stone, more dead than any corpse but still a-dream until I woke as vapour into night and sunset forced me out into the world.

For many centuries I've walked the world dispensing something that resembled love—a stolen kiss, then back into the night contented by the life and by the blood. And come the morning I was just a dream, cold body chilling underneath a stone.

I said I would not hurt you. Am I stone to leave you prey to time and to the world? I offered you a truth beyond your dreams while all you had to offer was your love. I told you not to worry, and that blood tastes sweeter on the wing and late at night.

Sometimes my lovers rise to walk the night… Sometimes they lie, a corpse beneath a stone, and never know the joys of bed and blood of walking through the shadows of the world; instead they rot to maggots. O my love they whispered you had risen, in my dream.

I've waited by your stone for half the night but you won't leave your dream to hunt for blood.

Goodnight, my love. I offered you the world.

John Keats: Lamia

John Keats: Lamia, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


Part 1

Upon a time, before the faery broods
Drove Nymph and Satyr from the prosperous woods,
Before King Oberon's bright diadem,
Sceptre, and mantle, clasp'd with dewy gem,
Frighted away the Dryads and the Fauns
From rushes green, and brakes, and cowslip'd lawns,
The ever-smitten Hermes empty left
His golden throne, bent warm on amorous theft:
From high Olympus had he stolen light,
On this side of Jove's clouds, to escape the sight
Of his great summoner, and made retreat
Into a forest on the shores of Crete.
For somewhere in that sacred island dwelt
A nymph, to whom all hoofed Satyrs knelt;
At whose white feet the languid Tritons poured
Pearls, while on land they wither'd and adored.

Owen Meredith (Lord Lytton): The Vampyre

Owen Meredith, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


I found a corpse, with golden hair,
Of a maiden seven months dead.
But the face, with the death in it, still was fair,
And the lips with their love were red.
Rose leaves on a snow-drift shed,
Blood-drops by Adonis bled,
Doubtless were not so red.
I combed her hair into curls of gold,
And I kissed her lips till her lips were warm,
And I bathed her body in moonlight cold,
‘Till she grew to a living form:
Till she stood up bold to a magic of old,
And walked to a muttered charm –
Lifelike, without alarm.
And she walks by me, and she talks by me,
Evermore, night and day;
For she loves me so, that, wherever I go,
She follows me all the way –
This corpse – you would almost say
There pined a soul in the clay.
Her eyes are so bright at the dead of night
That they keep me wake with dread:
And my life-blood fails in my veins, and pales
At the sight of her lips so red:
For her face is as white as the pillow by night
Where she kisses me on my bed:
All her gold hair outspread –
Neither alive nor dead.
I would that this woman’s head
Were less golden about the hair:
I would her lips were less red,
And her face less deadly fair.
For this is the worst to bear –
How came that redness there?
‘Tis my heart, be sure, she eats for her food;
And it makes one’s whole flesh creep
To think that she drinks and drains my blood
Unawares, when I am asleep.
How could those red lips
Their redness so damson-deep?
There’s a thought like a serpent, slips
Ever into my head, —
There are plenty of women, alive and human
One might woo, if one wished, and wed –
Women with hearts, and brains, — ay – and lips
Not so terribly red.
But to house with a corpse – and she so fair,
With that dim, unearthly, golden hair,
And those sad, serene, blue eyes,
With their looks from who knows where,
With the grave’s own secret there –
It is more than I can bear!
It were better for me, ere I cam nigh her,
This corpse – ere I looked upon her,
Had they burned my body in flame and fire
With a sorcerer’s dishonor.
For when the Devil hath made his lair,
And lurks in the eyes of a fair young woman
(To grieve a man’s soul with her golden hair,
And break his heart, if his heart be human),
Would not a saint despair
To be saved by fast or prayer
From perdition made so fair?

Johann Wolfgang von Goethe: The Dance Of Death

Johann Wolfgang von Goethe, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems
Johann Wolfgang von Goethe by Joseph Karl Stieler

THE warder looks down at the mid hour of night,
On the tombs that lie scatter'd below:
The moon fills the place with her silvery light,
And the churchyard like day seems to glow.

When see! first one grave, then another opes wide,
And women and men stepping forth are descried,
In cerements snow-white and trailing.

In haste for the sport soon their ankles they twitch,
And whirl round in dances so gay;
The young and the old, and the poor, and the rich,
But the cerements stand in their way;

And as modesty cannot avail them aught here,
They shake themselves all, and the shrouds soon appear
Scatter'd over the tombs in confusion.

Now waggles the leg, and now wriggles the thigh,
As the troop with strange gestures advance,
And a rattle and clatter anon rises high,
As of one beating time to the dance.

The sight to the warder seems wondrously queer,
When the villainous Tempter speaks thus in his ear:
"Seize one of the shrouds that lie yonder!"

Quick as thought it was done! and for safety he fled
Behind the church-door with all speed;
The moon still continues her clear light to shed
On the dance that they fearfully lead.

But the dancers at length disappear one by one,
And their shrouds, ere they vanish, they carefully don,
And under the turf all is quiet.

But one of them stumbles and shuffles there still,
And gropes at the graves in despair;
Yet 'tis by no comrade he's treated so ill
The shroud he soon scents in the air.

So he rattles the door—for the warder 'tis well
That 'tis bless'd, and so able the foe to repel,
All cover'd with crosses in metal.

The shroud he must have, and no rest will allow,
There remains for reflection no time;
On the ornaments Gothic the wight seizes now,
And from point on to point hastes to climb.

Alas for the warder! his doom is decreed!
Like a long-legged spider, with ne'er-changing speed,
Advances the dreaded pursuer.

The warder he quakes, and the warder turns pale,
The shroud to restore fain had sought;
When the end,—now can nothing to save him avail,—
In a tooth formed of iron is caught.

With vanishing lustre the moon's race is run,
When the bell thunders loudly a powerful One,
And the skeleton fails, crush'd to atoms.

Clark Ashton Smith: Zothique

Clark Ashton Smith, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems

He who has trod the shadows of Zothique
And looked upon the coal-red sun oblique,
Henceforth returns to no anterior land,
But haunts a later coast
Where cities crumble in the black sea-sand
And dead gods drink the brine.

He who has known the gardens of Zothique
Were bleed the fruits torn by the simorgh's beak,
Savors no fruit of greener hemispheres:
In arbors uttermost,
In sunset cycles of the sombering years,
He sips an amaranth wine.

He who has loved the wild girls of Zothique
Shall not come back a gentler love to seek,
Nor know the vampire's from the lover's kiss:
For him the scarlet ghost
Of Lilith from time's last necropolis
Rears amorous and malign.

He who has sailed in galleys of Zothique
And seen the looming of strange spire and peak,
Must face again the sorcerer-sent typhoon,
And take the steerer's post
On far-poured oceans by the shifted moon
Or the re-shapen Sign.

Percy Bysshe Shelley: Sister Rosa: A Ballad

Percy Bysshe Shelley, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


1.
The death-bell beats!--
The mountain repeats
The echoing sound of the knell;
And the dark Monk now
Wraps the cowl round his brow,
As he sits in his lonely cell.

2.
And the cold hand of death
Chills his shuddering breath,
As he lists to the fearful lay
Which the ghosts of the sky,
As they sweep wildly by,
Sing to departed day.
And they sing of the hour
When the stern fates had power
To resolve Rosa's form to its clay.

3.
But that hour is past;
And that hour was the last
Of peace to the dark Monk's brain.
Bitter tears, from his eyes, gushed silent and fast;
And he strove to suppress them in vain.

4.
Then his fair cross of gold he dashed on the floor,
When the death-knell struck on his ear.--
'Delight is in store
For her evermore;
But for me is fate, horror, and fear.'

5.
Then his eyes wildly rolled,
When the death-bell tolled,
And he raged in terrific woe.
And he stamped on the ground,--
But when ceased the sound,
Tears again began to flow.

6.
And the ice of despair
Chilled the wild throb of care,
And he sate in mute agony still;
Till the night-stars shone through the cloudless air,
And the pale moonbeam slept on the hill.

7.
Then he knelt in his cell:--
And the horrors of hell
Were delights to his agonized pain,
And he prayed to God to dissolve the spell,
Which else must for ever remain.

8.
And in fervent pray'r he knelt on the ground,
Till the abbey bell struck One:
His feverish blood ran chill at the sound:
A voice hollow and horrible murmured around--
'The term of thy penance is done!'

9.
Grew dark the night;
The moonbeam bright
Waxed faint on the mountain high;
And, from the black hill,
Went a voice cold and still,--
'Monk! thou art free to die.'

10.
Then he rose on his feet,
And his heart loud did beat,
And his limbs they were palsied with dread;
Whilst the grave's clammy dew
O'er his pale forehead grew;
And he shuddered to sleep with the dead.

11.
And the wild midnight storm
Raved around his tall form,
As he sought the chapel's gloom:
And the sunk grass did sigh
To the wind, bleak and high,
As he searched for the new-made tomb.

12.
And forms, dark and high,
Seemed around him to fly,
And mingle their yells with the blast:
And on the dark wall
Half-seen shadows did fall,
As enhorrored he onward passed.

13.
And the storm-fiends wild rave
O'er the new-made grave,
And dread shadows linger around.
The Monk called on God his soul to save,
And, in horror, sank on the ground.

14.
Then despair nerved his arm
To dispel the charm,
And he burst Rosa's coffin asunder.
And the fierce storm did swell
More terrific and fell,
And louder pealed the thunder.

15.
And laughed, in joy, the fiendish throng,
Mixed with ghosts of the mouldering dead:
And their grisly wings, as they floated along,
Whistled in murmurs dread.

16.
And her skeleton form the dead Nun reared
Which dripped with the chill dew of hell.
In her half-eaten eyeballs two pale flames appeared,
And triumphant their gleam on the dark Monk glared,
As he stood within the cell.

17.
And her lank hand lay on his shuddering brain;
But each power was nerved by fear.--
'I never, henceforth, may breathe again;
Death now ends mine anguished pain.--
The grave yawns,--we meet there.'

18.
And her skeleton lungs did utter the sound,
So deadly, so lone, and so fell,
That in long vibrations shuddered the ground;
And as the stern notes floated around,
A deep groan was answered from hell.

Edgar Allan Poe: Irene

Edgar Allan Poe, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems

'T is now (so sings the soaring moon)
Midnight in the sweet month of June,
When winged visions love to lie
Lazily upon beauty's eye,
Or worse — upon her brow to dance
In panoply of old romance,
Till thoughts and locks are left, alas!
A ne'er-to-be untangled mass.
An influence dewy, drowsy, dim,
Is dripping from that golden rim;
Grey towers are mouldering into rest,
Wrapping the fog around their breast:
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not for the world awake:

The rosemary sleeps upon the grave —
The lily lolls upon the wave —
And a million bright pines to and fro,
Are rocking lullabies as they go,
To the lone oak that reels with bliss,
Nodding above the dim abyss.
All beauty sleeps: and lo! where lies
With casement open to the skies,
Irene, with her destinies!
Thus hums the moon within her ear,
"O lady sweet! how camest thou here?
"Strange are thine eyelids — strange thy dress!
"And strange thy glorious length of tress!
"Sure thou art come o'er far-off seas,
"A wonder to our desert trees!
"Some gentle wind hath thought it right
"To open thy window to the night,
"And wanton airs from the tree-top,
"Laughingly thro' the lattice drop,
"And wave this crimson canopy,
"Like a banner o'er thy dreaming eye!
"Lady, awake! lady awake!
"For the holy Jesus' sake!

"For strangely — fearfully in this hall
"My tinted shadows rise and fall!"
.
The lady sleeps: the dead all sleep —
At least as long as Love doth weep:
Entranc'd, the spirit loves to lie
As long as — tears on Memory's eye:
But when a week or two go by,
And the light laughter chokes the sigh,
Indignant from the tomb doth take
Its way to some remember'd lake,
Where oft — in life — with friends — it went
To bathe in the pure element,
And there, from the untrodden grass,
Wreathing for its transparent brow
Those flowers that say (ah hear them now!)
To the night-winds as they pass,
"Ai ! ai ! alas ! — alas!"
Pores for a moment, ere it go,
On the clear waters there that flow,
Then sinks within (weigh'd down by wo)
Th' uncertain, shadowy heaven below.

The lady sleeps: oh! may her sleep
As it is lasting so be deep —
No icy worms about her creep:
I pray to God that she may lie
Forever with as calm an eye,
That chamber chang'd for one more holy —
That bed for one more melancholy.
Far in the forest, dim and old,
For her may some tall vault unfold,
Against whose sounding door she hath thrown,
In childhood, many an idle stone —
Some tomb, which oft hath flung its black
And vampyre-winged pannels back,
Flutt'ring triumphant o'er the palls
Of her old family funerals.

Samuel Taylor Coleridge: Christabel

Samuel Taylor Coleridge, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'Tis a month before the month of May,
And the Spring comes slowly up this way.

Clark Ashton Smith: Lamia

Clark Ashton Smith, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems

Out of her desert lair the lamia came,
A lovely serpent shaped as women are.
Meeting me there, she hailed me by the name

Belovèd lips had used in days afar;
And when the lamia sang, it seemed I heard
The voice of love in some old avatar.

Her lethal beauty like a philtre stirred
Through all my blood and filled my heart with light:
I wedded her with ardor undeterred

By the strange mottlings of her body white,
By the things that crept across us in her den
And the dead who lay beside us through the night.

Colder her flesh than the serpents of the fen,
Yet on her breast I lost mine ancient woe
And found the joy forbid to living men.

But, ah, it was a thousand years ago
I took the lovely lamia for bride...
And nevermore shall they that meet me know

It is a thousand years since I have died.

Clark Ashton Smith: From the Crypts of Memory

Clark Ashton Smith, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


Aeons of aeons ago, in an epoch whose marvelous worlds have crumbled, and whose mighty suns are less than shadow, I dwelt in a star whose course, decadent from the high, irremeable heavens of the past, was even then verging upon the abyss in which, said astronomers, its immemorial cycle should find a dark and disastrous close.
Ah, strange was that gulf-forgotten star - how stranger than any dreams of dreamers in the spheres of to-day, or than any vision that hath soared upon visionaries, in their retrospection of the sideral past! There, through cycles of history whose piled and bronze-writ records were hopeless of tabulation, the dead had come to outnumber infinitely the living. And built of a stone that was indestructible save in the furnace of suns, their cities rose beside those of the living like the prodigious metropoli of Titans, with walls that overgloom the vicinal villages. And over all was the black funereal vault of the cryptic heavens-a dome ol infinite shadows, where the dismal sun, suspended like a sole, enormous lamp, failed to illumine, and drawing back its fires from the face of the irresolvable a baffled and despairing beam on the vague remote horizons, and shrouded vistas illimitable of the visionary land.

We were a sombre, secret, many-sorrowed people-we who dwelt beneath that sky of eternal twilight, pierced by the towering tombs and obelisks of the past. In our blood was the chill of the ancient night of time; and our pulses flagged with a creeping prescience of the lentor of Lethe. Over our courts and fields, like invisible sluggish vampires born of mausoleums, rose and hovered the black hours, with wings that distilled a malefic languor made from the shadowy woe and despair of perished cycles. The very skies were fraught with oppression, and we breathed beneath them as in a sepulcher, forever sealed with all its stagnancies of corruption and slow decay, and darkness impenetrable save to the fretting worm.

Vaguely we lived, and loved as in dreams-the dim and mystic dreams that hover upon the verge of fathomless sleep. We felt for our women, with their pale and spectral beauty, the same desire that the dead may feel for the phantom lilies of Hadean meads. Our days were spent in roaming through the ruins of lone and immemorial cities, whose palaces of fretted copper, and streets that ran between lines of carven golden obelisks, lay dim and ghastly with the dead light, or were drowned forever in seas of stagnant shadow; cities whose vast and iron-builded fanes preserved their gloom of primordial mystery and awe, from which the simulacra of century- forgotten gods looked forth with unalterable eyes to the hopeless heavens, and saw the ulterior night, the ultimate oblivion. Languidly we kept our gardens, whose grey lilies concealed a necromantic perfume, that had power to evoke for us the dead and spectral dreams of the past. Or, wandering through ashen fields of perennial autumn, we sought the rare and mystic immorteles, with sombre leaves and pallid petals, that bloomed beneath willows of wan and veil-like foliage: or swept with a sweet and nepenthe-laden dew by the flowing silence of Acherontic waters.

And one by one we died and were lost in the dust of accumulated time. We knew the years as a passing of shadows, and death itself as the yielding of twilight unto night.

Algernon Charles Swinburne: Love and sleep

Algernon Charles Swinburne, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems
Algernon Charles Swinburne by William Bell Scott

LYING asleep between the strokes of night
I saw my love lean over my sad bed,
Pale as the duskiest lily's leaf or head,
Smooth-skinned and dark, with bare throat made to bite,
Too wan for blushing and too warm for white,
But perfect-coloured without white or red.
And her lips opened amorously, and said--
I wist not what, saving one word--Delight
And all her face was honey to my mouth,
And all her body pasture to mine eyes;
The long lithe arms and hotter hands than fire,
The quivering flanks, hair smelling of the south,
The bright light feet, the splendid supple thighs
And glittering eyelids of my soul's desire.

Robert Ervin Howard

Robert Ervin Howard, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems

The Song of the Bats 
  
The dusk was on the mountain
And the stars were dim and frail
When the bats came flying, flying
From the river and the vale
To wheel against the twilight
And sing their witchy tale.

"We were kings of old!" they chanted,
"Rulers of a world enchanted;
"Every nation of creation
"Owned our lordship over men.
"Diadems of power crowned us,
"Then rose Solomon to confound us,
"In the form of beasts he bound us,
"So our rule was broken then."

Whirling, wheeling into westward,
Fled they in their phantom flight;
Was it but a wing-beat music
Murmured through the star-gemmed night?
Or the singing of a ghost clan
Whispering of forgotten might?

María Rosa Lojo: FRAGILITY OF VAMPIRES

María Rosa Lojo, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


Sometimes we hunt vampires. They are not repulsive or evil as legends tell and morals preach. Nor do they assume human forms and bite beautiful women's necks to give them a pleasure that humiliates all mortal men. They don't seem strong and they don't kiss with lips or attack with fangs. On the contrary, they are delicated like spider webs and small like fireflies. 
To catch them it is necessary to wait in the darkness and move into emptiness with a pallid and furious net. The white of your skin or eyes or teeth, the lunar reverberations of the net, make them dizzy. The smell of your unclothed body guides them, your hunter's fantasy embraces them in ardent silence. It is easy then to seize them between the tips of your fingers in order to devour them or enclose them in transparent flasks. Some people hide them among their downy pubic hairs, others dissolve them in the juice of opium poppies so their dreams' meaning might exceed the poverty of the days thar die. 
Others become vampires themselves: creatures of unimaginable beauty, victims of the new hunters who are waiting, their bodies luminous like lamps.

Douglas Florian: Out from darkest Transylvania


Out from darkest Transylvania
Comes a man, a man with a mania:
He’s looking for blood--
Type A, B, or O.
He’ll drink sitting down
Or take it to go.
He’s not very tall.
His skin is quite pale,
But going for blood,
He’ll fight tooth and nail!

Douglas Florian: Hello, my name is Dracula

Douglas Florian, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


Hello, my name is Dracula.
My clothing is all blackula.
I drive a Cadillacula.
I am a maniacula.
I drink blood for a snackula.
Your neck I will attackula
With teeth sharp as a tackula.
At dawn I hit the sackula.
Tomorrow I’ll be backula!

Jenaro Talens: Dracula's Last Will

Jenaro Talens, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


These are my words,
my last words.
They grow around me without my guarding them,
then they return to my mouth
and within it they lodge to spend the night.
I speak them so softly that not even you can hear them
close to the ground, so inapprehensible
that even rocks absorb them.
Everything is possible here. Only I
am impossible, a face
with neither color, nor volume
through these galleries where mirrors repeat
themselves in mirrors. They are all uninhabited.
Their thickness reflects nothing, but a confusing light,
drawing my absence among the broken glass.
I was Narcissus when I was alive.
While I was not on the shoulder of time,
I watched it pass by. Death is now
the revenge of others, of those strange others whom I loved
without projecting myself in them.
Come to me.
I shall not hurt you. Know that
from loneliness to loneliness
I fled from a heap of eternities
to cross the earth. I was a traveler,
I slipped into shadows I never knew before,
and in this exile, when I look back,
I think of the dream of the just:
a foamy island awashed in blue.
Perhaps the chills of winter will have mercy on me.
I know that on my tomb yellow flowers will blossom.

Salwa Al Neimi: Dracula

Salwa Al Neimi, Halloween poem, Vampire poetry, Vampire poems, Dark Poems, Dark Poetry, Gothic poetry, Goth poetry, Horror poetry, Horror poems


Protruding, rebelling against the lips,  
the long, pointed, ill-fated fang stared at me,  
(in spite of awkward attempts to hide it).  

Stealing adolescent glances,  
I dreamed it pierced me, pushing deep in the base of my neck.  
I bit my lower lip, flushed,  
but not before blushing under its spell.  

Yesterday,  
Yesterday when he smiled at me, with teeth in perfect alignment  
          (dentistry can work miracles),  
I turned my apostate face,  
and squinting, pretended to watch passersby.